This exhibition celebrates one of the most prestigious awards in the Japanese graphic design profession by creating a spatial configuration inspired by Shinto architecture. This analogy represents the journey of arriving, entering, and gathering within the "temple of graphics."

The design harmonises the beauty of top-tier graphic design exhibits with high-quality craftsmanship of wood joinery - in a practical manner suited to the exhibition’s duration and budget.

Although the exhibition will run for only a few weeks, its impact can be extended significantly. The materials are repurposed, such as pine wood rods, and designed for reuse. After the exhibition, these will be transformed into everyday products, like poster frames, which can be distributed for continued use. Other materials, such as the steel frame, will be dismantled, stored compactly, and reused for future exhibitions.