The issue of construction waste from temporary exhibitions poses a persistent challenge in every project. Despite exploring various strategies to minimize post-exhibition waste—such as reducing materials, utilizing reusable components, and repurposing items for giveaways—numerous obstacles hinder progress toward zero waste. Key barriers include budget constraints, limited manpower, and uncertainties regarding the management of materials' second life.

A comprehensive plan is developed to encompass the entire process—from design and fabrication to construction, recycling, and distribution—aiming for minimal waste. When designing the exhibition spatial system, adaptability for future use and recycling potential are prioritized. The objective is to minimize the need for extensive reconstruction, reducing costs, manpower, and time associated with the ‘afterlife’ process. Future structures will be planned and tested in advance, facilitating engagement with new users and stakeholders, which ensures effective completion of the material lifecycle.

Emphasizing the concept of ‘Interbeing’ from Buddhist philosophy, which views materials as conserved entities that interchange throughout their lifecycle, the aim is to reappropriate these states and forms to construct envisioned spaces. The exhibition spaces will act as designed intermediates in this ongoing process.

Just as whisky develops unique flavors in barrels, the furniture created for the event will embody its essence, each piece carrying its own character and story. As they transition to new contexts, these pieces will find harmony with their new surroundings, enhancing their uniqueness.